A series of California-based bands shared the stage on February 26 at Brick & Mortar as part of Noise Pop’s 2016 Festival, which took place at various venues throughout the city of San Francisco.

First of three openers, Spooky Mansion, started aย night that would ultimately consist of coastline vibes and catchy, palm-tree-swayingย SoCal melodies. As the bar was barely filled,ย Spooky Mansions performed walk-in music while a full crowd crept in throughout the set. It was only until later in the night, thatย I realized the very goofy, good-hearted stranger who so kindly offered to take a group photograph for me was lead singer, Grayson Converse. Well-humored and thoroughly engaging, Spooky Mansions set the tone for the rest of the evening.

Next to flood the stage was a group of kids from LA known as Franky Flowers. With Xs drawn in Sharpieย on the hands of some of the band members, these were clearly fresh-out-of-high-schoolย misfits. After a comical sound check in which lead singer, also named Franky Flowers, reiterated the “Damn Daniel” meme into the mic, theyย began with “Blue Eyes”, showcasingย a strong surf soul instrumental teamย behindย an equally strong vocal performance. Although they exudedย a Freaks and Geeks-ishย awkwardness and disengagement withย the crowd, the crowd was undeterred from (unsuccessfully)ย attemptingย to startย a mosh pit where it did not belong.ย Also awkward was the end toย an admittedly engaging set, whenย technical difficulties cuedย their exit instead of a proper good-bye.

The West Coast fun continued with ourย San Franciscan neighbors, French Cassettes,ย whose set was filled with choruses that instantly controlledย the audience’s hips until the modest crowd was up and moving.

Lead singer and guitarist Scott Huerta introduced his brother Thomas on bass, and his two buddies, guitarist and keyboardist Mackenzie Bunch, and drummer Ben Isganites. Taking on a small stage, French Cassettes made it their own with a huge presence.

Starting with “Too Young,” they instantly transported everyone to a Santa Monica beach on a 72 degree afternoon. Scott Huerta delivered a truly mesmerizing vocal performanceย with crowd favorites including “Us Boy” and “Cousin’s Carpet.”

Thanks to aย comprehensive, three-band California welcome as well as some good ol’ alcohol, a fully hyped crowd wasย finally greeted by the twin duo headliner,ย Cayucas.ย Singer Zach Yudin in a Hawaiian shirt (further alerting us of Cayucas’sย allegiance to the Golden State) and bassist Ben Yudin began by singing about an “East Coast Girl” then smoothly yet quicklyย delved right into popular picks like, “Cayucos” eliciting early relief and excitement from crowd members who had long awaited older favorites fromย Bigfootย (2013).

Altogether,ย Cayucas proved they were capable ofย picking up the pace atย any venue — from an intimate bar setting to a mid-sized theater. Lips sang along to “Mooney Eyed Walrus” and the Bay area befitting closer, “Hella”, both tracks of which were recently debuted on their latest album,ย Dancing at the Blue Lagoonย (2015). Nearing the end, they playedย “Deep Sea” and then came a tambourine, signalling one of their biggest hits, “High School Lover.”

Closing the show was 2013 album namesake “Big Foot” a somewhat lukewarm way to end the set.ย They left the stage thanking Noise Pop, the fans, and friends and family present in the audience — notably, their motherย who the brothers suggested should “take a shot” — but returnedย for an encore andย ended on a more memorableย note for fans who provedย receptive to the band’s consistent and lively energy.

“Keep it moving. The night is still young,” they urged at nearly 1 a.m.ย It was in this way, and in the plays of the previous three acts, that California surf rock had been done justice on the first evening of the three-dayย Noise Pop festival.

Article by Myra Farooqi
Photos by Fiona Duerr

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