St. Vincent’s St. Vincent, available February 24 Between snorting fragments of the Berlin Wall and confrontations with “blind psychics turned online assassins,” wonder woman Annie Clark – aka St. Vincent – never ceases to disappoint. Continuing her journey into the realm of eccentricity in her upcoming self-titled album, Clark uses the album as a sort of electric playground full of surreal imagery and wild hallucination. The many seemingly chaotic dynamic shifts within the album combine to create a musical masterpiece rooted, or uprooted if you please, in dreamy vocal runs backed by heavy synth and the distorted guitar solos for which she is known. Building from four previous albums and a head-turning collaboration with David Byrne of the Talking Heads, Clark has developed a one of a kind sound that keeps both fans and critics bewildered as to what may come next. As she states in interviews with magazines such as Rolling Stone, many of the songs on the album such as “Rattlesnake” and “Huey Newton” were inspired by Ambien trips and deep subconscious undertones found on the edge of dreams. These muses are seen throughout the album, where the airy qualities of songs such as “Prince Johnny” project beautiful lyrical melodies that hint at dark and disturbing subject matter. In the single “Birth in Reverse,” Clark sings, “Like a birth in reverse, what I saw through the blinds / You could say that I’m sane in phenomenal lies,” and plays off of heavy guitar and aggressive beats to punch out a message of awakening and pose questions to reality. Transitions from these heavier songs to beautiful ballads such as “I Prefer Your Love” and “Seven Crossed Fingers” counter the in-your-face drops and twists at other points in the album but continue to uphold the subconscious and spontaneous feel of this master work. Annie Clark is always pulling something new and fabulous out of thin air, and she proves that again with St. Vincent’s St. Vincent. Be on the lookout for this exceptional record when it drops on February 25. Pre-order it on iTunes, and sample the full record over at The Guardian now. Article by Conner Smith Share this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Tumblr (Opens in new window)Click to share on Pinterest (Opens in new window)Click to share on Reddit (Opens in new window) One Response A midsummer night’s roundup: notable albums of 2014 (so far) | The B-Side July 21, 2014 […] St. Vincent – St. Vincent “A goddess among mortals, Annie Clark has ascended to new heights with this year’s release. Full of lines that will turn the head of the most callous listener and inspired by drug-induced musings and wanderings, St. Vincent has stolen our hearts and occupied our minds.” – Conner | full review […] Reply Leave a Reply Cancel ReplyYour email address will not be published.CommentName* Email* Website Save my name, email, and website in this browser for the next time I comment. Currently you have JavaScript disabled. In order to post comments, please make sure JavaScript and Cookies are enabled, and reload the page. Click here for instructions on how to enable JavaScript in your browser. Δ
A midsummer night’s roundup: notable albums of 2014 (so far) | The B-Side July 21, 2014 […] St. Vincent – St. Vincent “A goddess among mortals, Annie Clark has ascended to new heights with this year’s release. Full of lines that will turn the head of the most callous listener and inspired by drug-induced musings and wanderings, St. Vincent has stolen our hearts and occupied our minds.” – Conner | full review […] Reply