More Life and the making of a global icon Shelby Mayes March 23, 2017 Album Review, Reviews 1 Comment March 18th yielded the highly anticipated release of Drake’s sixth full length solo album More Life (2017). It’s his strongest project since breaking free of the tried-and-true formula he perfected on his ...
Khan Solo releases his new sample-based album, Stargirl Veronica Irwin March 18, 2017 Album Review Bay area artist Khan Solo is a mystery. With a profile picture showing nothing but a shadowy outline, and a bandcamp bio that only says “I’m low-key like seashells,” Solo has a quiet presence, letting his...
HNDRXX by Future barely sounds like a Future album Adil Siddiqee March 9, 2017 Album Review, Columns and Opinions, Reviews “Break you off, yeah, made myself a boss, yeah…” Future trails off before the hook on “F*ck Up Some Commas,” the fifth song on Monster (2014), replays for the fourth time. The verse ends with his crew...
Xiu Xiu continue to excite and frighten on the turbulent Forget HR Huber-Rodriguez March 8, 2017 Album Review, Reviews Xiu Xiu, led by South Bay native and creative genius Jamie Stewart, are one of the most interesting, refreshing, consistently abrasive, and unpredictable bands this side of Death Grips. In some ways, they are t...
On Roadhouse 01, Allan Rayman would prefer you meet his alter ego Jordan Aronson March 3, 2017 Album Review, Reviews On the cover of Roadhouse 01 (2017), Allan Rayman stares down the camera, bearded and underexposed. It’s probably the first time listeners have seen him, not that that would upset him – the social-media-and...
Nav stays ten toes down Edrees Fazel March 1, 2017 Album Review, Reviews Nav has been a darling of hip-hop forums and blogs for a while now, but is a relative newcomer to the charts. The "first brown boy to get it poppin'” ("Some Way," NAV) drew a crowd, and after murmu...
FUTURE by Future sounds like a Future album Adil Siddiqee February 23, 2017 Album Review, Columns and Opinions, Reviews It swims like a Future album, quacks like a Future album, and slaps like a Future album. FUTURE is a Future album. So it goes. The Atlanta trap lord has nothing to prove to his masses, and has no desire to s...
Migos warm hearts at sold-out show at The Warfield Eda Yu February 17, 2017 Album Review, Reviews The Warfield buzzed with an alacrity rarely seen so late during a Tuesday night on Market Street, February 14. It was Valentine’s Day, but few people seemed to pay that any mind as groups of people hoarded ou...
Michael Lanza’s “Touch” – a Bay debut George Green February 16, 2017 Album Review, Columns and Opinions, Interview, News, Reviews, Uncategorized Courtesy of Michael Lanza Courtesy of Michael Lanza Since the age of three, Michael Lanza has been playing the violin classically; since age 12, he has been playing the saxophone; since age 14, the guit...
Teen Daze awakens from utopic dreams on ‘Themes,’ to play NP25 at Hemlock Tavern Joanna Jiang February 16, 2017 Album Review, Concerts, Festivals, and Live Previews Sometime in the last couple of years, British Columbia’s Teen Daze (Jamison) disclosed his last name (Isaak) and relocated to Abbotsford, a quieter part of the Fraser Valley he’s called home the entire time...
Surfer Blood on new record, guitar heroes and Thomas Fekete’s Burner Ally Mason February 5, 2017 Album Review, Interview, Reviews There's a few things a gal from Southern California can't live without. Burritos for starters. Somewhere high on that list is surf rock. The Beach Boys, Dick Dale, The Ventures. Sometimes it's hard to indulge i...
Lyrical banality dooms Japandroids’ Near to the Wild Heart of Life HR Huber-Rodriguez February 2, 2017 Album Review, Reviews Vancouver garage rock duo Japandroids have made a name for themselves as the best guitar/drums act since the late White Stripes. Amassing heaps of critical praise following their 2009 commercial debut Post-Noth...
The xx are invisible on I See You HR Huber-Rodriguez January 20, 2017 Album Review, Reviews, Uncategorized As the 2010s enter their eighth year, I’ve taken considerable time to reflect upon the decade’s most influential artists. Bands like Beach House came in strong, put out consistent LPs with only minor variat...
Stop what you’re doing and listen to the new Palace album Ally Mason January 2, 2017 Album Review It's here. After releasing Lost in the Night (2014), London alt-blues outfit Palace strolled onto the radar with five elegiac tracks effortlessly balancing soaring guitar harmonies and sophisticated diminuendo....
The Weeknd aims for the trees with Starboy Adil Siddiqee December 6, 2016 Album Review, Reviews Depending on when you first heard him, Abel Tesfaye - the man behind The Weeknd - has delivered a variation of impressions. Those who first heard of The Weeknd when he released one of the mixtapes within his Tr...